L’inventaire du visible (2010) – Véronique Béland has traveled up and down the horizon of her everyday life armed with a voice recorder and a pinhole camera. She recorded her voice describing places, with the shutter remaining open for the duration of her speech. Exposure time equals to speech time, always: the image is modified by the story. She has spoken her presence in the landscape until all image was lost. One just needs to hear the sound track to mentally reconstruct the ruins left by the photographic marks, to make a projection area of them. Se faire du cinéma: to fantasize.

Comme une chorale de voix dans la tête (2010) – A desire to transpose a constant state of intersubjectivity. An attempt to externalize all the others who inhabit the space of my thoughts. A sound set-up combining multiple voices, spatialized around the spectator: voices that blend in almost perfect synchronism at times, but sometimes muddle up in confused murmurs. In a scheme of references, they even answer, complete each other. But most of the time, they do not listen, they soliloquy. They think loudly, lowly.